{"id":306,"date":"2017-07-10T17:37:27","date_gmt":"2017-07-10T21:37:27","guid":{"rendered":"http:\/\/borzovoy.com\/blog\/?p=306"},"modified":"2021-02-03T12:21:19","modified_gmt":"2021-02-03T16:21:19","slug":"media-design-for-lepageex-machina-the-national-ballet-of-canada","status":"publish","type":"post","link":"https:\/\/borzovoy.com\/blog\/2017\/07\/10\/media-design-for-lepageex-machina-the-national-ballet-of-canada\/","title":{"rendered":"Media Design for Lepage\/Ex Machina &#038; The National Ballet of Canada"},"content":{"rendered":"<header id=\"global-header\">\n<div class=\"wrapper\">\n<header id=\"global-header\">\n<div class=\"wrapper\">\n<p>Once again, I have the honour of working with Robert Lepage, and this time around with the wonderful Guillaume Cote, and the usual suspects. &nbsp;So very good to be back in the Caserne in Quebec City.<\/p>\n<p style=\"margin-top: 0pt; margin-bottom: 7pt; font-family: inherit; font-size: 18.75pt; color: #979797; text-align: right;\"><span style=\"font-weight: bold;\">World Premiere<\/span><\/p>\n<p style=\"margin: 0in; font-family: Roboto; font-size: 41.25pt; color: #979797; text-align: right;\"><span style=\"font-weight: bold;\">Frame by Frame<\/span><\/p>\n<p style=\"margin-top: 0pt; margin-bottom: 7pt; font-family: inherit; font-size: 18.75pt; color: #979797; text-align: right;\"><span style=\"font-weight: bold;\">June 1\u201410, 2018<\/span><\/p>\n<h4>A ballet based on the work of Norman McLaren<br \/>\nBy Robert Lepage and Guillaume C\u00f4t\u00e9<\/h4>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignleft\" src=\"http:\/\/www.filmreference.com\/images\/sjff_04_img1556.jpg\" alt=\"Norman McLaren\" width=\"519\" height=\"394\"><\/p>\n<\/div>\n<h2>About the Ballet<\/h2>\n<p>The legendary Canadian filmmaker and animator Norman McLaren set<br \/>\nnew standards for his art form throughout his long and illustrious career.<br \/>\nBest-known for his ACADEMY AWARD<sup>\u00ae<\/sup>&nbsp;winning film&nbsp;<em>Neighbours<\/em>&nbsp;(1952), McLaren\u2019s experiments in various forms of animation and his innovative use of sound, music and drawn-on-film techniques saw him create works of unparalleled richness, visual brilliance and beauty, influencing subsequent generations of filmmakers the world over.<\/p>\n<p>Now, the renowned playwright, director, actor and filmmaker Robert Lepage comes to The National Ballet of Canada for the first time to collaborate with the company\u2019s Choreographic Associate Guillaume C\u00f4t\u00e9 in a multidisciplinary production that explores Norman McLaren\u2019s life and work. Incorporating and interweaving several different media, the ballet is both an evocation of and inquiry into the world and imagination of one of Canada\u2019s most uncategorizable and accomplished, yet elusive, artists.<\/p>\n<\/header>\n<\/div>\n<\/header>\n<div class=\"page-container wrapper\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Once again, I have the honour of working with Robert Lepage, and this time around with the wonderful Guillaume Cote, and the usual suspects. &nbsp;So very good to be back in the Caserne in Quebec City. World Premiere Frame by Frame June 1\u201410, 2018 A ballet based on the work of Norman McLaren By Robert &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/borzovoy.com\/blog\/2017\/07\/10\/media-design-for-lepageex-machina-the-national-ballet-of-canada\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Media Design for Lepage\/Ex Machina &#038; The National Ballet of Canada&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"link","meta":{"footnotes":""},"categories":[16,9,29],"tags":[],"_links":{"self":[{"href":"https:\/\/borzovoy.com\/blog\/wp-json\/wp\/v2\/posts\/306"}],"collection":[{"href":"https:\/\/borzovoy.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/borzovoy.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/borzovoy.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/borzovoy.com\/blog\/wp-json\/wp\/v2\/comments?post=306"}],"version-history":[{"count":3,"href":"https:\/\/borzovoy.com\/blog\/wp-json\/wp\/v2\/posts\/306\/revisions"}],"predecessor-version":[{"id":435,"href":"https:\/\/borzovoy.com\/blog\/wp-json\/wp\/v2\/posts\/306\/revisions\/435"}],"wp:attachment":[{"href":"https:\/\/borzovoy.com\/blog\/wp-json\/wp\/v2\/media?parent=306"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/borzovoy.com\/blog\/wp-json\/wp\/v2\/categories?post=306"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/borzovoy.com\/blog\/wp-json\/wp\/v2\/tags?post=306"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}